Lyn

Lynstone

Echoing the legacy of Edward Johnston and his iconic Johnston Sans typeface, Lynstone gracefully embodies the quintessential spirit of the revered British grotesque classics. With a focus on a harmonious rhythm and open letterforms, Lynstone caters to the needs of contemporary design in both digital and print domains. This font seamlessly combines the legacy of British sans serif typography with a modernist approach.

Characterized by a clean and elegant construction in both lowercase and uppercase, Lynstone exudes a sense of understated refinement. Its generous x‑height enhances its versatility, allowing it to adapt effortlessly to a wide range of design tasks.

The typeface is available as individual weights and as a variable font with a Light → Black axis. The family package includes two variable fonts: upright and italic.

Rome wasn’t built in a day!
Dos pueden jugar a ese juego Perfume de Ciprés & Menta Malojapass nach Chiavenna Pizzo Fiorèra 2921 m s.l.m. Pacific Ring of Fire’s activity Too much of a good thing Honesty is the best policy! Architektur und Typografie Rome wasn’t built in a day. from the Earth’s rotation?
Los Pirineos son más antiguos que los Alpes: sus sedimentos se depositaron por primera vez en las cuencas costeras durante las eras Paleozoica y Mesozoica. Hace entre 100 y 150 millones de años, durante el período Cretácico Inferior, el golfo de Vizcaya se desplegó, empujando a la España actual contra Francia y aplicando una intensa presión de compresión a grandes capas de roca sedimentaria. La intensa presión y la elevación de la corteza terrestre afectaron primero a la parte oriental y se movieron progresivamente a toda la cadena, culminando en la Época del Eoceno. La parte oriental de los Pirineos se compone principalmente de rocas de granito y gneiss, mientras que en la parte occidental los picos de granito están flanqueados por capas de piedra caliza. El carácter masivo y sin uso de la cordillera proviene de su abundancia de granito, que es resistente a la erosión.
The International Typographic Style has had a profound influence on graphic design as a part of the modernist movement, affecting many design-related fields; including architecture and art. It emphasises cleanness, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings. Many of the early International Typographic Style works featured typography as a primary design element besides its use in text, and it is for this that the style is named. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universal manner. 
Wie auf dem festen Land, so gibt es auch im Meer, Erhöhungen und Schluchten. Viele Berge unter dem Meer sind höher, manche Gebirgszüge sind länger, viele Schluchten tiefer als irgendwo auf dem Festen. Wenn man den höchsten Berg mit seinen 8847 Metern Höhe, in die tiefste Tiefe versenken wollte, so würden immer noch gut 2186 Meter Wassertiefe über seinem Gipfel liegen. Während aber alle Erhebungen auf dem festen Land dem ständigen, zermürbenden Angriff von Erosion ausgesetzt sind, stehen die Gebirge unterm Meer unversehrt im stillen Wasser der Abgründe. Lediglich ihre obersten Spitzen, die durch das Wasser durchstoßen und uns als Inseln erscheinen, werden vom Wind, von der Brandung und vom Regen angegriffen. Der Meeresboden ist in drei Abschnitte unterteilt : den Kontinental-Schelf, den Kontinental-Abfall und den Tiefseeboden.
Light
200
Light Italic
200
Book
300
Book Italic
300
Regular
400
Regular Italic
400
SemiBold
500
SemiBold Italic
500
Bold
700
Bold Italic
700

Formats

Desktop: otf (PS)
Variable Desktop: TTF-Variable-Font
Web: woff / woff2  /
Web Variable: woff / woff2 
App: otf (PS) / TTF-Variable-Font
Variable App: TTF-Variable-Font

Language Support Latin +100

Afaan Oromo Aymara Basque Bemba Bosnian Catalan Croatian Czech Danish Dutch English Estonian Filipino Finnish French Galician German Gikuyu Greenlandic Hungarian Indonesian Irish Italian Ilocano Javanese lat. Kurdish lat. Latvian Lithuanian Malay Moldovan Norwegian Polish Portuguese Quechua Q’eqchi’ Romanian Romansh Slovak Slovenian Somali Spanish Swahili Swedish Tagalog Tshiluba Turkish Walloon Welsh Wolof Zulu

..see the complete list here!


Download PDF Samples of the Fonts! Spezimen
Download test Fonts and give it a go! Test
Purchase a Desktop Web or App Licence! Buy
A
A U+0041
Ligatrues
Sofia Sofia
Contextual Alternates
Eggy Eggy
Case-Sensitive Punctuation
¿Hola? ¿Hola?
(Default) Proportional Lining Figures
$1024
Tabular Lining Figures
$1024 $124
Superscript
m3
Ordinals
5a5o 5ª5º
Fractions
15 ⁄ 32 15⁄32
Numerators and Denominators
2H5 2H5
Lynstone Font Luzi Type Foundry
Lynstone Font Luzi Type Foundry
Lynstone Font Luzi Type Foundry
Lynstone Font Luzi Type Foundry
Lynstone Font Luzi Type Foundry

Featured in our notes: George&Harrison did design a beautiful architecture book using Lynstone.