Mes

Messina Sans

Messina consists of three styles. She is designed for large editorial projects, corporate identities, or advanced online applications. The Sans Version reflects the 20th century and its affinity for reduction.

Messina Sans is available as standard version and as Variable Font. She’s built on two axes, Weight (Hairline → Black) and Width (Condensed → Normal). By purchasing a family you receive two Variable Fonts; an upright and an italic. Messina Sans is also available as a Monospace version; which is built on Weight axe (Hairline → Black).

die Bernina Zugsstrecke
170g do Açores Verdes chá earth’s atmospheric weather La scienza di mangiar bene Puzzles for 4 year scholars Hard cases make bad law 5th anniversary of the vote Air contains 20.9% Oxygen If it ain’t broke, don’t fix it?
L’azione del mare sulle coste many hands make light work That’s an intriguing story! the study of sign processes 2845 m ü. M. alpiner Gipfe all Andalucian Ornaments №4 sémola de trigo duro all that glitters is not gold
Los Pirineos son más antiguos que los Alpes: sus sedimentos se depositaron por primera vez en las cuencas costeras durante las eras Paleozoica y Mesozoica. Hace entre 100 y 150 millones de años, durante el período Cretácico Inferior, el golfo de Vizcaya se desplegó, empujando a la España actual contra Francia y aplicando una intensa presión de compresión a grandes capas de roca sedimentaria. La intensa presión y la elevación de la corteza terrestre afectaron primero a la parte oriental y se movieron progresivamente a toda la cadena, culminando en la Época del Eoceno. La parte oriental de los Pirineos se compone principalmente de rocas de granito y gneiss, mientras que en la parte occidental los picos de granito están flanqueados por capas de piedra caliza. El carácter masivo y sin uso de la cordillera proviene de su abundancia de granito, que es resistente a la erosión.
The International Typographic Style has had a profound influence on graphic design as a part of the modernist movement, affecting many design-related fields; including architecture and art. It emphasises cleanness, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings. Many of the early International Typographic Style works featured typography as a primary design element besides its use in text, and it is for this that the style is named. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universal manner. 
Wie auf dem festen Land, so gibt es auch im Meer, Erhöhungen und Schluchten. Viele Berge unter dem Meer sind höher, manche Gebirgszüge sind länger, viele Schluchten tiefer als irgendwo auf dem Festen. Wenn man den höchsten Berg mit seinen 8847 Metern Höhe, in die tiefste Tiefe versenken wollte, so würden immer noch gut 2186 Meter Wassertiefe über seinem Gipfel liegen. Während aber alle Erhebungen auf dem festen Land dem ständigen, zermürbenden Angriff von Erosion ausgesetzt sind, stehen die Gebirge unterm Meer unversehrt im stillen Wasser der Abgründe. Lediglich ihre obersten Spitzen, die durch das Wasser durchstoßen und uns als Inseln erscheinen, werden vom Wind, von der Brandung und vom Regen angegriffen. Der Meeresboden ist in drei Abschnitte unterteilt : den Kontinental-Schelf, den Kontinental-Abfall und den Tiefseeboden.

Messina Sans

Hairline
100
Hairline Italic
100
Thin
200
Thin Italic
200
Light
300
Light Italic
300
Book
400
Book Italic
400
Regular
500
Regular Italic
500
SemiBold
600
SemiBold Italic
600
Bold
700
Bold Italic
700
Black
900
Black Italic
900

Messina Sans Condensed

Hairline
100
Hairline Italic
100
Thin
200
Thin Italic
200
Light
300
Light Italic
300
Book
400
Book Italic
400
Regular
500
Regular Italic
500
SemiBold
600
SemiBold Italic
600
Bold
700
Bold Italic
700
Black
900
Black Italic
900

Messina Sans Mono

Hairline
100
Thin
200
Light
300
Book
400
Regular
500
SemiBold
600
Bold
700
Black
900

Formats

Desktop: otf (PS)
Variable Desktop: TTF-Variable-Font
Web: woff / woff2  /
Web Variable: woff / woff2 
App: otf (PS) / TTF-Variable-Font
Variable App: TTF-Variable-Font

Language Support Latin +100

Afaan Oromo Aymara Basque Bemba Bosnian Catalan Croatian Czech Danish Dutch English Estonian Filipino Finnish French Galician German Gikuyu Greenlandic Hungarian Indonesian Irish Italian Ilocano Javanese lat. Kurdish lat. Latvian Lithuanian Malay Moldovan Norwegian Polish Portuguese Quechua Q’eqchi’ Romanian Romansh Slovak Slovenian Somali Spanish Swahili Swedish Tagalog Tshiluba Turkish Walloon Welsh Wolof Zulu

..see the complete list here!


A
Case-Sensitive Punctuation
¿Sí? ¿Sí?
Tabular Lining Fig.
$104 $104
Superscript
m3
Ordinals
5a5o 5ª5º
Fractions
15 ⁄ 32 15⁄32
Numerators and Denominators
2H5 2H5
Messina Sans Font Luzi Type Foundry
Messina Sans Font Luzi Type Foundry
Messina Sans Font Luzi Type Foundry
Messina Sans Font Luzi Type Foundry
Messina Sans Font Luzi Type Foundry
Cádiz Font Luzi Type Foundry

Featured on our blog: Upstatement designed the website of the Massachusetts Institute of Technology with Messina Sans.

Luzi Type

Featured on our blog: Montréal 360, Studiomiles designed this beautiful 192‑page historical book.