Spz

Spezia

Writing and reading involve diverse dimensions and varying tools. Spezia is a sans-serif typeface designed to meet contemporary demands.

With a harmonious visual balance and modern essence, Spezia demonstrates its quality. Rooted in the neo-grotesque genre, it possesses a distinctive voice and a simple monoline structure. Consistent character-widths further enhance its simplicity.

The extensive range of weights and widths, spanning from Compressed to Extended, empowers users with flexibility. With 128 font weights available, users can fully explore and fine-tune in detail their typographic compositions.

Together with Spezia Serif, this typeface forms a unique and comprehensive typographic system. Find more information about the design process of Spezia at our notes.

Spezia comprises nine subfamilies: Compressed, Extra Condensed, Condensed, Narrow, Normal, Wide, Extended, SemiMono, and Mono. The typeface is available as individual weights and as a variable font.

Pizzo del Sole
Every cloud has a silver lining. Risotto indivia e fiori di zucca Personenzug der Albulalinie The end justifies the means from February 23th of 1987 Air contains 20.9% Oxygen Phở là một món ăn truyền Luminous stellar explosion Un buen giro merece otro sophisticated Technology Más vale tarde que nunca Well begun is half done? Shiny are the distant hills représentèrent ce parfum la superficie da 219 km² Out of sight, out of mind.
Los Pirineos son más antiguos que los Alpes: sus sedimentos se depositaron por primera vez en las cuencas costeras durante las eras Paleozoica y Mesozoica. Hace entre 100 y 150 millones de años, durante el período Cretácico Inferior, el golfo de Vizcaya se desplegó, empujando a la España actual contra Francia y aplicando una intensa presión de compresión a grandes capas de roca sedimentaria. La intensa presión y la elevación de la corteza terrestre afectaron primero a la parte oriental y se movieron progresivamente a toda la cadena, culminando en la Época del Eoceno. La parte oriental de los Pirineos se compone principalmente de rocas de granito y gneiss, mientras que en la parte occidental los picos de granito están flanqueados por capas de piedra caliza. El carácter masivo y sin uso de la cordillera proviene de su abundancia de granito, que es altamente resistente a la erosión y contribuye a su robusta presencia geológica.
The International Typographic Style has had a profound influence on graphic design as a part of the modernist movement, affecting many design-related fields; including architecture, art, and advertising. It emphasises cleanness, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces, and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or hand-drawn images. Many of the early International Typographic Style works featured typography as a primary design element besides its use in text, and it is for this reason that the style is named. The style emerged from a desire to represent information objectively, free from the influence of associated meaning. The International Typographic Style evolved as a modernist graphic movement that sought to convey messages clearly and in a universally understandable manner.
Wie auf dem festen Land, so gibt es auch im Meer Erhöhungen und Schluchten. Viele Berge unter dem Meer sind höher, manche Gebirgszüge sind länger, und viele Schluchten sind tiefer als irgendwo auf dem Festland. Wenn man den höchsten Berg mit seinen 8847 Metern Höhe in die tiefste Tiefe versenken wollte, so würden immer noch gut 2186 Meter Wassertiefe über seinem Gipfel liegen. Während aber alle Erhebungen auf dem festen Land dem ständigen, zermürbenden Angriff von Erosion ausgesetzt sind, stehen die Gebirge unterm Meer unversehrt im stillen Wasser der Abgründe. Lediglich ihre obersten Spitzen, die durch das Wasser durchstoßen und uns als Inseln erscheinen, werden vom Wind, von der Brandung, vom Regen und von der natürlichen Erosion angegriffen. Der Meeresboden ist in drei Abschnitte unterteilt: den Kontinental-Schelf, den Kontinental-Abfall und den Tiefseeboden.
Thin
Thin Italic
Light
Light Italic
Book
Book Italic
Regular
Regular Italic
Medium
Medium Italic
SemiBold
SemiBold Italic
Bold
Bold Italic
Black
Black Italic

Formats

Desktop: otf (PS)
Variable Desktop: TTF-Variable-Font
Web: woff / woff2  /
Web Variable: woff / woff2 
App: otf (PS) / TTF-Variable-Font
Variable App: TTF-Variable-Font

Language Support Latin Complete

This typeface supports a wide range of languages which use the Latin alphabet. You can use the typeface in most languages in the Americas, Europe and Australia, as well in much African languages and even in some Asian languages like Vietnamese.

Find the complete list → here!


Download PDF Samples of the Fonts! Specimen
Download test Fonts and give it a go! Test
Purchase a Desktop Web or App Licence! Buy
A
A U+0041
(Default) Proportional Lining Figures
$104
Tabular Lining Figures
$104 → $104
Alternate Glyphs Set 1
your → your
Scientific Inferiors
CO2 → CO2
Ordinals
5a5o → 5ª5º
Fractions
15/32 → 15/32
Numerators and Denominators
2H5 → 2H5
Spezia Serif Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
Spezia Font Luzi Type Foundry
variable font Spezia and Spezia Serif Luzi Type Foundry

Featured in our notes: Summary of the design process of Spezia and Spezia Serif

10th anniversary Bark Luzi Type

Featured in our notes: A world map showcases how Spezia and Spezia Serif can creatively stretch typographic possibilities.

Luzi Type

Featured in our notes: Cadence uses Spezia for their visual identity.

Luzi Type Foundry

Have a look at the related Neo-Grotesque typeface Yetson Sans.

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