Vaz

Valizas

With a focus on incorporating additional spacing within counters, such as in the lowercase a, Valizas complements Recife as its cousin, bringing its own unique characteristics to the forefront.

After the release of Recife, I have consistently strived to implement its concept into a grotesque typeface. After five years, I am pleased to present Valizas as the fruition of these efforts!

This sans-serif font family excels with a unique and cheerful expression. Valizas showcases a generous x-height, which further enhances her personality and makes her truly captivating. For more details about the design process of Valizas, please refer to our blog post.

The typeface is available as individual weights and as a variable font with a Thin → Black axis. The family package includes two variable fonts: upright and italic.

l’Arte Cinematografica

Weight

Gewerbeschau in Maienfeld

If it ain’t broke, don’t fix it?

No hay lugar como el hogar

1912 in balloon experiments

research of the Indo-Pacific

Spiegelbild der Geschichte

The end justifies the means

2845 m ü. M. alpiner Gipfe

Novo galleria della Vereina

Abbacchio alla Cacciatora

That’s an intriguing story!

objectivity in photography

Out of sight, out of mind.

Jahresbuch der Baukunst

Los Pirineos son más antiguos que la cadena de los Alpes: sus sedimentos se depositaron por primera vez en las cuencas costeras durante las eras Paleozoica y Mesozoica. Hace entre 100 y 150 millones de años, durante el período Cretácico Inferior, el golfo de Vizcaya se desplegó, empujando a la España actual contra Francia y aplicando una intensa presión de compresión a grandes capas de roca sedimentaria. La intensa presión y la elevación de la corteza terrestre afectaron primero a la parte oriental y se movieron progresivamente a toda la cadena, culminando en la Época del Eoceno.

The International Typographic Style has had a profound influence on graphic design as a part of the modernist movement, affecting many design-related fields; including architecture and art. It emphasises cleanness, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings. Many of the early International Typographic Style works featured typography as a primary design element besides its use in text.

Wie auf dem festen Land, so gibt es auch im Meer, Erhöhungen und Schluchten. Viele Berge unter dem Meer sind höher, manche Gebirgszüge sind länger, viele Schluchten tiefer als irgendwo auf dem Festen. Wenn man den höchsten Berg mit seinen 8847 Metern Höhe, in die tiefste Tiefe versenken wollte, so würden immer noch gut 2186 Meter Wassertiefe über seinem Gipfel liegen. Während aber alle Erhebungen auf dem festen Land dem ständigen, zermürbenden Angriff von Erosion ausgesetzt sind, stehen die Gebirge unterm Meer unversehrt im stillen Wasser.

Thin

100

Thin Italic

100

Light

200

Light Italic

200

Book

300

Book Italic

300

Regular

400

Regular Italic

400

SemiBold

500

SemiBold Italic

500

Bold

700

Bold Italic

700

Black

700

Black Italic

700

Formats

Desktop: otf (PS)
Variable Desktop: TTF-Variable-Font
Web: woff / woff2 /
Web Variable: woff / woff2
App: otf (PS) / TTF-Variable-Font
Variable App: TTF-Variable-Font

Language Support Latin +100

Afaan Oromo Aymara Basque Bemba Bosnian Catalan Croatian Czech Danish Dutch English Estonian Filipino Finnish French Galician German Gikuyu Greenlandic Hungarian Indonesian Irish Italian Ilocano Javanese lat. Kurdish lat. Latvian Lithuanian Malay Moldovan Norwegian Polish Portuguese Quechua Q’eqchi’ Romanian Romansh Slovak Slovenian Somali Spanish Swahili Swedish Tagalog Tshiluba Turkish Walloon Welsh Wolof Zulu

..see the complete list here!